The Holiday Landscape: Design Details

 

 

Any design – whether it be landscape, garden or holiday design – pertinent to the front door involves much more than the door.  A front door comes with a house, that has a certain shape and size.  That door comes with a stoop or porch.  There is a walkway that gets you to that door.  There is a landscape that accompanies  that walk to the door.  Some doors have a portico, or a roof, or no shelter from the sky whatsoever. Some front doors are on the side of the house. Consideration of all these factors plays a big part in successful holiday design.  This is a house of considerable stature.  The drive court, walkway, and portico are all of a massive scale.  The house is a long way from the street.  Big and bright helps to make a holiday statement in proportion to all of the other existing elements.

The portico is massive, and supported by massive columns.  The door is somewhat dwarfed by the structure over head.  A garland, and integral wreath over the door visually lowers the ceiling.  The is a friendly gesture aimed at creating a more human scale.

The rectangular pots are large, and were designed to fit in between those columns.  A thicket of Cardinal red twig dogwood and berried Michigan holly stems makes a holiday statement that is visible from a long way away. There are but a four elements in these boxes, but there is a generous amount of each. These boxes also make that porch a more private space.   

This pair of front doors are painted a very dark grey.  The porch is wide, and very simple, as is the brick walk.  A pair of Belgian oak boxes are kept company by a pair of antique English chimney pots, and a single concrete French poodle.  The double ball moss topiaries with their twig top knots and vine swirls are 7 years old-they look great with that poodle.  This fall I added a new layer of moss to the old.  As the boxes are so large, I had no worry that the moss balls would be too big, given a new moss layer.  We stuffed mixed greens into the big boxes, and borth green and variegated English boxwood into the chimney pots.  A smaller scale green is a good choice for a smaller container. 

The dark doors asked for a detail that was light, or sparkly, or both.  I glued a pair of vintage gilded angel wings together via a wood plant label.  Short screws through both layers insured the wings would stay together.  A square of foam core board glued to the back was a base for a few layers of magnolia leaves.  A gold metallic bow in the middle speaks to the season.  This detail can be changed after New Years, as the pots will look welcoming all winter long. This detail endows the front door with the greetings of the season.

An asymmetrical placement of a front door asks for an asymmetrical treatment.  A low concrete planter with magnolia and red twig dogwood provides a compact landscape for a trio of nutcrackers.  The magnolia wreath on the front door-a third element providing holiday interest. 

These clients requested a winter theme for their containers.  The pussy willow centerpieces repeat the dark chocolate stain color of the concrete pots.  The curly willow provides a little loosely described volume without interfering to the access to the door.  The decor is very simple and understated, just like the door.  

This front door is part of a large porch which extends across the full width of the house.  The pots on either side of the door are always in shadow, given the roof of the porch.  A pair of pots integrated into the landscape provides an opportunity for winter interest at the half-way point from the sidewalk to the door.  These pots also provide a frame for a stately antique English sundial. This front yard brick terrace is a room of its own.  The stairs are a transition from that public space, to the more private porch space.  The central design issue here was all about making a drastic change of grade from the front yard to the front door seem graceful.

These containers are generously sized, and for good reason.


The house is tall, and a considerable distance from the street. The walkway to the front door originates at the driveway, and is laid parallel and close to the front of the house.  There is a vast amount of lawn between the street, and the front door.  These large pots with large winter arrangements provide a winter outfit for the entire house.

This front door has a small and intimate portico; the holiday garland makes much of this.  A holiday wreath on the glass storm door completes the look.


From the street, an entirely different feeling is at work.  A massive portico covers the front door, and its personal portico.  A pair of Christmas trees set in black ceramic pots make that door seem more important.  The firewood stacked outside and to the left of the front door adds visual interest, and balance, to the treatment of the doorway.  It is important to make much of the front door.  It is the friendliest gesture you might make to your guests.

This recessed front porch features a pair of wreaths hung from the iron fretwork of the pair of front doors.  The white glass ornaments in the wreaths echoes the white light covers on the tuteurs in the boxes.  A trio of coach lights makes this front door, and all that goes with it, seem all of a piece.

This big and rangy contemporary house features a very geometric and formally clipped landscape.  A pair of galvanized pots stuffed with Rob’s signature branches and weeds is a surprising effective foil for all this architecture.  The big idea here?  Study what you have.  Make no plans to cope.  Plan to shine.

Shop Light, Shop Bright

Today was one of my most favorite days of the gardening year.  I never know what day that will be-that is part of the excitement of the event.  What event?  My crews get most of the last of the landscaping work, and the winter and holiday pots finished.  One moment later, they swarm the shop, intent on getting our holiday and winter display out front up and running.  The 6 pots in front of the shop have had their centerpieces of pussy willow since before Thanksgiving.  I have had lots of time to think over a plan for the holidays.  Time has not particularly helped me this year-Icould not figure out what I wanted to do.   But I knew I needed lights-and lots of them. So why not just get started with that?

The winter is a tough season for any northern born and passionate gardener.  How I might survive the months of the grey freeze is of great interest to me.  I would much rather create a hospitable place where I can live, than wring my hands, and spread discontent. Each of my 6 pots got their own nest of lights.  We twist and zip tie 4 or 5 strands of lights of different sizes, and colors.  White, red and lime is this year’s scheme.  This is not an entirely simple thing-we plan the spacing so each 45 foot garland has lights equally dispersed along its length. 

This giant wreath based on many stems of huck-I have owned it at least 8 years.  Dusty,wobbly and in need of some some restoration work,  I got it out of storage a few weeks ago; it would be perfect for this year’s field and weed holiday theme.   I added many more twigs;  I reglued every stem all around.  Most of what existed from some 8 years ago was sound.  The staying power of weeds is well known to every gardener.  Rob  is, and has been the driving force behind this year’s holiday.  His trips into the fields to collect dead branches and weeds have made for a season with focus, purpose, and structure.  This weedy wreath would be perfect.        

A big part of the window box display in front of the shop-the dried remains of asparagus.  The cultivation of asparagus-I have read lots about this.  But only from Rob have I learned about the dry stems of asparagus-how their wiry skeletal branches might play a part in the winter season. The dead stems are amazingly persistent.

Once I get my act together on a plan, my crews make quick work of it.  The window boxes got green, and had a bed of c-9 and c-7 lights installed in the center.  Lucio was in charge of sticking the asparagus branches between the light string wires. 

Bamboo stakes at the corners of the pots form an armature around which to wind the lights. 

This gold and green sinamay does several things.  It provides a soft transition between the geometrically placed willow stems, and the hard structure that is the light nest.  The shimmery polyester threads will amplify the light coming from the garlands.   

Multiple pots with lots of lights draws a lot of power; the shop has 2 20 amp circuits specifically installed for holiday lighting. 

We have enough lights in the pots to create a daytime glow.  Michigan is well known for its cloudy winter days-this day is no exception.

Dusk arrives 4:30 in the afternoon this time of year; we have an answer to that. 

If you have not put lights outside for the holiday and winter yet, one light garland draped in the branches of the tree will do you, and your neighbors, a world of good.

Some holiday lighting asks for a well placed spotlight.  Lots of lights can throw unlighted decor deep into shadow.  Our wreath would not be visible at night, save for a pair of spotlights. 

The window boxes now provide warm companionship to Rob’s pot o fire at the end of the driveway.  Only one more detail remains to be done-can you spot what or where it will be it is?    

Do try this at home.  It will warm you up.

The Week In Wreaths

Between Steve and I, two crews, and some help from Jenny, Scott, and Julie in the shop, we installed 15 projects this past week.  One crew came in Saturday, yesterday,  to do my pots at home, and start the holiday display outside the shop-where they got the energy to do this, I have but one idea.  They are consummate professionals, all of them.   Some jobs were small, and went in quickly.  Others were more complicated-holiday decor inside and out, and holiday lighting.  Steve worked on our last landscape project of the season every day but Friday-that project is not included in the 15.  Needless to say, I did very little in the way of writing, and a lot in the way of work this past week.    Any work for the holidays has to be done with dispatch-anyone who asks me to decorate for them wants to have the time to enjoy it.  Though we start our season the week before Thanksgiving, the first 10 days of December are always our busiest.  I find all the activity stressful, and exhilarating.   

I see that decorating schedule repeated in people who come to the Works to shop.  There are but a few weeks late in the year to dream it up, and get it done.   November and early December have been incredibly mild.  This meant more people took the time to decorate outdoors, and put up holiday lighting.  It means more people who have the inclination or passion to garden are staying outdoors a while longer.  In a good season, I may do 60 landscape projects, 80 annual plantings, and 40 holiday/winter projects.  This really doesn’t amount to a hill of beans in a greater community the size of mine.  The shop is a way in which lots more people are exposed to ideas, materials, and encouragement.  When the weather cooperates, I see winter and holiday gardening in lots of places.  People we help in the shop go on to represent the holiday in their own special way.  The neighborhoods now are full of light, at night.  A big celebration going on outdoors-I love this. 

We have had only 2 days of temperatures below 30 this season-that is very unusual.  A holiday season when the ground goes rock hard before Thanksgiving is more ordinary, and is extra hard work.  I have watched my crews pry soil out of pots with a crow bar-it’s not work we look for.  It also discourages people from getting their materials out of the basement, attic or garage, and doing their own.  This year is shaping up to be a good one-I see good looking work every day, everywhere.  We are working-everyone is working!  Buck and I went to a party last night just 20 minutes from home.  The neighborhood was lit up, decked out, and looking very festive.  I almost ran off the road in a few places, trying to get a good look at everything.    

Once all of my work is done, Buck will drive, and I will look.  I am so interested to see how other people interpret the holidays, decorate their front porches and doors, light their yards.  What appeals to me?  People taking the time and effort to express themselves.  

I decorated 14 wreaths for the shop this year.  All of them were made from twigs left over from the 2010 holiday season.  In January, Pam and I wove all of these twigs into small wreaths; we put them into storage the first of February.  I decorated all of them with natural materials, and knitted birds in late November.  This wreath-the last of the lot, was sold to an old client as a gift for his very elderly Mom.  He explained to me in great detail why he thought this wreath would be a good gift for her. His gift to me was considerable; we had a conversation, person to person.    

I have made 39 wreaths so far this season-I have 10 more to go.  I do each and every one of them personally.  The holiday pots and installations I design and draw; my crew creates and installs them.  But the wreaths cannot be drawn.  I just do them.  There is a client, an idea or place they have in mind, a color scheme-my clues are many.  I write most of that down.  I read over the notes just before I get going.  Next up?  I get going. 

14 0f this year’s holiday wreaths are Christmas presents I send out for one client.  She has a point of view which I honor; all 14 are different.  12 wreaths were for the shop, a handmade twig wreath was the starting point for all.  Thirteen others were individually made for individual clients. Individual places. 

I have 10 more wreaths to go.  Am I complaining?  Yes-I wish I had more.    I do truly enjoy this part of the holiday season.  I plan to have all 10 done by the end of the day Tuesday.  More likely, I will be done Thursday.


I have a few wreaths I plan to make as gifts.  A friend, a sister in law, and a client whose landscape is under construction.  Last of all, a wreath for Buck and I. 

This client?  They have been great clients for many years.  Would I please funk it up a little this year? In red and green?  Am I happy to oblige?  No doubt, I am.

Holiday Red

Everyone reacts strongly to color-I am no exception.  I am not crazy about red in the landscape.  I design with red foliaged trees and shrubs on rare occasions.  Something or someone has to nudge me in this direction.   I am a card carrying advocate of green.  All kinds, shades, and manner of green.  In summer container gardens, red can be ruthlessly overbearing.  Too bright and cheery.  But I will try anything-won’t you?  The year I featured red in my containers was a good year, but not my favorite.  Red in the spring-that color after a long winter is so welcome.  Red tulips underplanted with lavender pansies-scrumptious.  Red at the holidays is a blessing.  The skies, the ground, the trees- most everything in the landscape goes drab. Trees with persistent red winter fruit, and red-stemmed shrubs are prized by northern gardeners, for good reason. I decorated this Christmas tree some years ago; I still love this celebration arranged around red.  My clients had just moved in.  Moving boxes were everywhere.  This red ornamented tree, and its red sinamay tree skirt stood out-a reminder that the color red celebrates every warm gesture people make at the holidays.  Instantly this newly restored house felt much more like home.  

I have a client that orders up a pair of holiday wreaths.  One for her front door, and one for the library.  I concentrate on whatever natural materials are available to me.  Pine cones, anise balls, red preserved eucalyptus, reindeer moss, platys seed pods, dry tallowberries, fresh magnolia leaves pack this mixed green wreath with a variety of colors and textures.    

The red berry picks energize all of the other elements.  No real red berries exist in my garden  like these, but I have no problem with these shiny faux red berry picks.  It’s the red that represents the spirit of the holidays.       

I decorated this house for the holidays 6 years ago. I have published a few of my pictures from this project before; I still like it.  The red light covers look like glass ornaments during the day.  They glow red at night. The lit vertical stems are intertwined with a few very long red berry stems.  That red reads from a distance both day and night.  In early evening, the landscape is muted and somber.  This red in the wood boxes is a visual version of happy holidays, friends and family-welcome to this home. 

 

 

Holiday red can take a lot of forms.  Red ribbon, berry stems, preserved eucalyptus,  pomagranites, apples, red twig dogwood, glass ornaments-in this case, a red felt tree skirt with a felt pointsettia petal border.        

Red can be very dressy. 

Red can also be simple and striking. The client who gets this wreath has a collection of nutcrackers that sit on her porch for the holidays.  The colors of those figures are bright, and accented with lots of white.  In this case, the white ornaments and white based velvet ribbon help pop that red all the more. 

The cardinal on this wreath is the last of the 256 of them we had in the shop.  Gardening people appreciate the birds; cardinal red is the name of one of the cultivars of red twig dogwood whose branches we stock at the holidays.       

 

This wreath made of giant wood curls, and its wood rose have been dyed the most intense shade of red.  Though red may be a very traditional holiday color, it never fails to catch my eye.  Should your holiday decorating plans seem a little anemic, try a little red.