Spring At Detroit Garden Works: An Addendum

As I was writing about the spring opening of Detroit Garden Works, it occurred to me that what the shop does best is reflect the taste and sensibilities of a wide range of gardeners. I have Rob to thank for that. Many years ago I made a landscape design call to a client whose house and art were of a contemporary ilk. On his rear terrace was a classical and traditional Smith and Hawkins teak bench. That disconnect made me blink. I suggested that he find some terrace furniture that more accuratetly represented his aesthetic.  So called contemporary garden ornament has been available for commercial projects for a long time-if you equate simple and functional with contemporary. I am thinking urban trash receptacles, bike racks and giant fiberglass cylinder planters. What was readily accessible to private gardeners was meager. Times have changed in that regard.

Shopping European markets has also made a big difference in the style of ornament we are able to offer.The Belgians, Dutch and French have been of a contemporary mind in the garden for quite a while. The containers pictured above are made from recycled tires from a manufacturer in France. They would look very disconcerting in my garden, but my client with the contemporary art collection would feel right at home with them.

I probably have said this before, but it is worth repeating. Any idea about period or style that you express indoors is fine to take outside. And advisable. A well done landscape does have an aura- an aura of genuine expression of some kind or another is unmistakable. A judicious selection of garden ornament is a strong and vibrant way to indicate an aesthetic point of view in the landscape.

A tree is a tree, with its own aura. That same species planted in a random grove in tall grass creates a different aura, driven by the aesthetic of the gardener in charge. A collection of that same tree planted in a grid could have a very formal aura-or a contemporary one. A garden ornament added to any one of these landscapes can organize and make the intent of that gardener clearer. This room at the shop is interesting, in that it takes traditional objects, and by association with more contemporary ones, gives those traditional ornaments a more contemporary aura. In the above picture, vintage French galvanized metal seed pans were lined up and stacked on a shelf against the far wall. The overall shape and grid has a very contemporary feeling, though I am sure the pans were originally used as a simple growing tool. The traditional glazed French jarre with a cream rim in the foreground is a very traditional shape. Paired with a vintage modern teak garden furniture set, the clean lines and simple shape of the container becomes its dominant visual characteristic.

On the walls in the background of this picture, a pair of antique French conservatory windows look at home in a more contemporary setting.  Their visual meaning is about their simple geometry, and not about their history. I would imagine the conservatory they came from was probably of a traditional sort.

The birdbath in the above picture is an antique piece from England. It is easy to imagine it in a classical English garden. But I suspect it could be right at home in a more austere and modern garden. To determine whether a classical piece might work in a contemporary garden, I try to ignore where or how the piece might have been used, and concentrate on its overall shape. The short version is to appreciate it in the abstract, and without preconceived notions.

The urn pictured in the opening above has a very traditional connotation and shape. Its visual aspect is in strong contrast to the concrete bowl planters placed on top of the wall. Each asks for a specific kind of garden.

I have seen lots of fish ornaments for gardens.  Some are whimsical.  Others are accurate to a specific shape and color of a kind of fish.  These French made steel sardine garden stakes have a sleek and contemporary look. They represent in the abstract the rhythm and sparkle of a school of fish in water. Rob has used these in contemporary container arrangements to great effect.

The vintage containers on this shelf have a decidedly modern feel.

This grill bears no resemblance to the Weber of my childhood. Contemporary fixtures for kitchens have been around a good while.  It is so great to see them becoming available for the outdoor kitchen. This Ofyr grill uses wood as a source of heat, and the top rim is a cooking surface as well as the grate.

This collection of grape gathering baskets have quite a history, but attached to a wall and planted in an architectural way, they could be a welcome addition to a contemporary garden.

This contemporary version of birds on a wire come from the same French company that makes our sardine stakes. They come with one, two, or three birds wide at the top. Oh the possibilities, for a contemporary garden maker.

A Sculpture for the City

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When a landscape architect for the city of Sault Ste Marie called about a sculpture/fountain that he might install in a tiny new city park, I did not tell him that I had nothing for him.  Who wants to talk to a client about what you cannot do for them? I am able to do things differently, as I have a very talented staff who are able to manage and fabricate all manner of custom work for clients. The fabrication studio shown above makes it possible to produce work in concrete, steel, wood and any combination thereof.  I told him we would be happy to design and quote a fountain for his project.

2008 Branch 8-12-08 (13)The upper peninsula of Michigan, and the Sault in particular, is home to a substantial population of American bald eagles.  They are proud of the fact that the eagle which symbolizes our entire nation thrives here, as well they should be.  The bald eagle is as much a local treasure, as it is a national one.  As any fountain placed on City property would be subject of discussion, design and review by committee, it seemed those firecely wild and independent birds would make a fitting subject for a sculpture, and appeal to a broad audience.  We chose a subject matter we knew would strike a chord with a number of people.  Given some drawings and dimensions of this object, a CAD drawing was produced enabling the project to be quoted.  Nothing with cities proceeds quickly, but it does proceed; we were cleared to build.

August 13 pictures 163This fourteen foot tall steel sculpture interpretive of a tree would cover a plumbing system designed to propel water out the topmost branch.  Attached to that tree would be a network of steel twigs representing an eagle aerie.  The galvanizing tank in which we hot dip galvanize all of our steel is only 5.5 feet wide; one branch of the tree would have to be mechanically installed after the contruction process was complete. The fountain was designed in the round for viewing, not designed to fit a tank. 

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A five ton bridge crane allowed us to lay the sculpture down on a trailer, and transport it to the galvanizer. It was a days work for for the tank operator to carefully suspend and dip this piece, and its wide branch, without incident.  We stayed the entire length of the galvanizing process, so the piece would not have to be stored there; we trailored it home that night.  

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The hot dip galvanizing process covered every surface with a layer of zinc; this zinc would protect the steel from rust.  The steel plate welded to the bottom of the sculpture would be bolted to a concrete foundation, ensuring that no wind or other  bad weather could topple it; that plate accounted for 300 of the 2000 pounds of steel used in all.

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Acid washing the galvanized steel changed the finish dramatically.  What was silver is now a very dark streaky grey.  We hooked up a hose once the finish was completed, to check that the plumbing would work; this moment gave Buck more than a little anxiety.  If there were a problem with the plumbing, how could it be repaired? As he is a very thorough and thoughtful fabricator, the fountain passed its most important test. 

DSC_0016Life-size bald eagles hand sculpted  from a steel rod and mesh galvanized armature, and acid stained mortar, would be attached to the sculpture via steel sleeves made to match the size and angle of the legs.   

buckBuck followed  this semitruck on whose whose flatbed that sculpture was securely tied down-for 340 miles.  The next day, he supervised the installation, driving home late in the day. The sculpture had been installed.

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The landscape architect, John Rowe, had designed a pool which captured the fountain water underground, and recirculated it. The design of the pool was much more about native Michigan rock, than water.  The clump of steel cattails provided sculptural interest closer to eye level. We kept the concrete sculptures high in the air; they can be seen from far away. The stone edge was wide enough to provide seating.  The materials used are gritty, as befits this urban neighborhood. It does indeed look like it belongs there.