An Embarrassment of Riches

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I spent the morning cruising all my gardens that are slated for the garden cruise this coming Sunday, to benefit the Greening of Detroit. As I have posted before, the noted architect Michael Willoughby somehow managed to get my attention about supporting the Greening; so I am now on board, and working hard to raise some money from them.  Detroit needs this group more than ever now.  Asking good clients to put their gardens on tour I could do.  But today could best be described as an embarrassment of riches-for me.  Every garden is beautiful, and so lovingly tended.  My clients are genuinely excited to have gardener/visitors. I am having the above pictured exuberant Susie to dinner this Friday night; she wants to be in her garden all day to talk to guests, but she insisted she needed to see my garden.  So fine-lets have dinner.   We have a relationship that is a good and valuable one to me.  Her place is immaculate.  Every pot is representing; its obvious she takes great care of them.  The windows will be washed everywhere tomorrow.  She has gone the distance and then some, as I asked her to. I saw this everywhere on her property today. She called the DNR to clean up the algae in the giant  pond that borders her property;  ” my garden is on tour, and I want this pond presentable for company-when do you think you might come before July 19?”  I am so lucky to have her as a client.

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I have posted again and again about the importance of caring for a landscape.  But every garden I visited today was about the reality of that committment.  What needed trimming got trimmed.  What needed weeding got weeded. What was a big deal to get done, got done. Of course there is a chorus of voices about those things that are behind this year.  None of us will have Limelight hydrangeas in bloom-they are two weeks behind at least.  Everyone’s roses are completely out of bloom, and the roses are struggling with black spot, and every other ill those queens of the garden contract. My matched pots are mismatched.  Damn.  Every single gardener on this tour is agonizing over what is not just right. I could not thank them all enough for the effort they have put to this event.   The good part?  Every single true gardener who attends this tour will know in a heartbeat the extent of the effort that has been put to making each and every garden engaging, thought provoking, visually striking-all in all, just plain good.   

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One of my oldest clients whom I love dearly has sold their house; they are moving near their adult children, as they are in their eighties.  Ed and Mary both told me today there garden has never been as beautiful as it is right now; the three of us cried buckets.   No one I have ever known my entire career could make begonias grow more beautifully than Ed. This is the last of their stewardship-don’t miss it.  Their garden has gorgeous and beautiful age. Their landscape is quiet, but powerfully compelling.  Our relationship over the landscape I so treasure. I am glad they agreed to be on tour this year, as they will be gone the end of August to a new life. 

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This garden I landscaped some 9 years ago, and was not back until a month ago.  I was knocked out by how they took that landscape in hand, looked after it, and moved beyond what I did.  My day today was such a good day.  This insouciant pot of my clients own design and hand is so beautiful.  The overall shape, the textures, the green thing going on-I could not do better.  The embarrassment of riches I felt today is all about doing work for interested clients, who take up on their own when I am done, and make magic.

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I hope everyone who tours these gardens, realizes the  great views.  I am so interested in places to be, in a landscape, and places to view.  Revisiting landscapes I did years ago today, I have new views, new impressions-I so have my clients to thank for this.

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Should you be so lucky as to live in my area, I would suggest that this garden tour would do your gardening heart and soul good.  I feel confident saying this, as my tour today made eminently clear that I have not just had clients.  I have people with whom relationships have been forged, over a big love for the garden.  No doubt, I am the luckiest girl on the planet.  Thank you, Janet, Arnold, Susie, Kate and Rob, Rob Y, Mary and Ed, Steve and Karen, Michael and Beth ; the weather promises to be good-go on tour if you can, to benefit the Greening of Detroit.  Please come-the weather promises to be fine.  Every dollar of your ticket goes to benefit the programs of the Greening of Detroit.  More information on the tour can be had at www.thegardencruise.org.  Many thanks, Deborah

We are looking for you too! 

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A French Style Country House

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I have lots of clients that make good moves, architecturally. I marvel at how people manage to build beautiful homes-no matter the problems.  The problems don’t show in the end; this I like.  I would never want a visitor to any of my gardens to be burdened with a discussion of what didn’t work. I just want them to enjoy what they see.   I am probably old school in this regard.    The interiors of my client’s houses so represent a working knowledge of design, a clear vision of what they need to live, and lots of  personal touches. Naturally, they like that same visual discussion outdoors.

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This really beautiful French country style house was hidden behind an early and not so compelling landscape; my clients knew this full well.  An ancient spruce under attack from gall, that hid the house was taken down.  Don’t think I take old trees down capriciously-I do not.  This spruce was fast approaching the end of its lifespan.  I did not want to design around it. 

french1The property had steep grades, and drainage issues both. I made use of a bulldozer.  That machine of mine can make quick work of a lot of ills. Just being able to see the front door was a big improvement.    

I had in my mind that big Belgian made wood boxes would benefit this landscape.  The wood repeats the wood of the shutters, and makes a statement in support of the country French idea in place from the start.  I had the idea to pick up where they finished with the house.  Those wood boxes were key.

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Though the landscape scheme is very simple, it is a formal scheme dressed down by an unpruned hedge of taxus densiformis. Two tall boxes, and two shorter ones in front seemed appropriate.

A formal statement can be formal to the nines, or gracefully reminiscent of formal.  Each project, each house, each client-I try to respond in such a way that the end product seems to belong to the house, and to them. 

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At this point the big scheme of things begins to be clear.  The grading and drainage issues have been addressed.   This beautiful house is celebrated by its landscape.  The Belgian wood boxes are perfect here.  At this point we are discussing a finish for the boxes, and perhaps a new finish for the painted shutters.

french7The lawn panels are formal, no doubt.  They are softened by the plantings in the Belgian boxes, and the wildly representing yews.  This scheme makes a presentation of the house that I think represents the feelings of my clients. In my view,  success is all about  the serious  interaction I have with clients. There is a moment, a chunk of time, in which we have a serious exchange.  Whatever came before, whatever looms ahead, we had our moment.  Notice the finish on the boxes-and a new finish on the shutters.

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These beautiful boxwood parterres were existing; I replaced the center element with Belgian wood boxes. This placement is a little unexpected, but repeats the idea of dressed-down formal in a strong way.  

french2ndtolastThese boxes overflowing with flowers make a  big statement.   Wood in the landscape is a natural.   In this case we lined the boxes with sheet metal liners, to improve the longevity of the boxes.  The entire scheme is friendly and pleasing to the eye. 

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Handling Hard Surfaces

hard4This contemporary American version of a classic French chateau includes garage wings on either side of the main house. What a beautiful architectural detail- visually treating the garages as living space. This gives the house a very European flavor. The design challenge was providing enough space to turn cars into the garages, and guest parking, without the landscape looking like a commercial parking lot.

hard2The wing walls, finished in large columns add another hard architectural feature to the mix.  As there is no hiding so many hard surfaces of this size, why not celebrate them?  Selecting a primary material for the drive and drive court came first.  The clients decided they liked concrete aggregate as a surface.  Though their first choice was gravel, they had legitimate concerns about snowplow damage.  Good looking concrete aggregate requires a very skilled contractor; be sure you see samples of work before you sign up.

hard3The concrete aggregate in the drive court was comprised of four sections, based on the turning radius into the garage, and the reverse radius corresponding to the surface needed to back out of the garage.  This picture illustrates the aggregate surface I thought necessary  to back out gracefully.  Four quadrants made it easy to sawcut the aggregate every 100 square feet or so.  Large surfaces of concrete require expansion joints, so if there is to be any cracking, the cracking occurs in these joints.  The area immediately to the right of the freshly poured concrete in this picture was surfaced in decomposed granite. This change of material is a subtle one, in terms of its texture and color, but definitely a change. This created four curved shapes on the ground, in contrast to the rectilinear shapes of the house.  They also repeat the curved roof over the front porch.

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Once the drive and drivecourt were finished, it becomes clear that the presentation of the house from the street looks more green than one would have expected.  Rectangles of boxwood, and large mugho pines on standard planted in wood boxes are framed by a pair of London planes, inset from each pillar.  The plane trees were mulched in decomposed granite.hard7

The last remaining element-a medallion for the center.  I had the idea the shape would represent in a very schematic way, the four points of a compass.  The blue granite has a highly textured surface, and breaks up the expanse of paving effectively.

hard8Each stone was individually set in mortar, as the thickness of each stone varied a good deal.  Natural stone takes so much longer to set, as it is never completely or predictably the same thickness from stone to stone.

hard9The roughness of this stone seemed to ask for a frame.   To cut limestone to fit perfectly here would have been very problematic.  So we poured a border of mortar, finished to resemble the limestone on the house.

hard11The finished drivecourt is an interested study in shapes and textures, as well as a utilitarian solution for parking.

hardlastThe decomposed granite was brought outside the wing walls, to better visually integrate the drive and drivecourt.  I think the end result is not  just austere, but beautifully austere.

Sunday Opinion: Sometimes its Good to Give Up

I think of myself as a focused and self disciplined individual.  I make a sincere effort to be organized.  I am a” deal with it within twenty-four hours” girl.  I try to follow a thought along, even if it is one layer under the day’s business, as long as it takes, to get that thought in a form that energizes me enough to speak, or draw. For me doing a design doesn’t stop with the drawing.  A design needs explanation, supporting photographs or other material, a time frame, a plan to stage the installation.  It has taken me fifteen years to install the landscape on my lot.5; why wouldn’t I address staging with everyone else? 

 Walking through the store in the am, on my way to my office, I can spot 15 things that need cleaning, weeding, straightening, grooming, levelling, vignetting, attention-and water.  I can spot a plant that needs water when my eyes are closed. I can as well spot from yards away a plant whose green leaves have gone dusty from lack of water.  I call this focused;  Buck calls this obsessed.  I about fainted with shock and surprise the first time he casually suggested it might be better for me all around, if I could realize that sometimes it’s good to give up.  Let things go that don’t deserve your energy.  Sure, be in charge, put your name to your work, think everything through, do the best you can.  But most of all, give up when it’s time-good things can come of giving up.  Other outcomes can be good.

I am sponsoring a tour of gardens of my design in one week, July 19, to benefit the Greening of Detroit.  They have been planting trees, sponsoring urban gardens, teaching people to plant and grow to feed their families, and sell at the Eastern Market in Detroit, for the past 20 years. They impressed me.   Last year we raised 10,000.00 for them; I am very proud of this.  But today I am seeing that my own garden, which is on tour, is two weeks behind a normal season.  There will be no Limelight hydrangeas in bloom, and my pots are not the best, given the cool weather.  I see weeds, fungus, unfinished areas-and I am the person who ventured in last Sunday’s opinion post to suggest there is no World Series of Gardening.  Talk is cheap, is it not?? 

The entire impetus for this post is a pair of fabulous Italian pots on pedestals, on my terrace,  planted identically.  Both pots are coming along fine, albeit slowly-except for the centerpiece plant.  The nicotiana mutabilis in the north pot has spiked, and is blooming.  The southern nicotiana mutabilis is in stall mode.  For three days I have been agonizing over replacing that recaltricant nicotiana.  Given Buck’s commentary, I think I will stand pat with the two pots that do not match.  Do these two glaringly unmatched pots say everything  about when it is good to give in, and give up?  Do they not speak reams to what every gardener aims for, and does not get?  Buck  says not one gardener on the tour will fail to recognize that in spite of  my efforts,  our efforts, I am not really in charge.  He thinks I should leave it be.  I think he may be right.  Better the garden be real, than engineered like a stage set.

No matter how enchanted I am with a design, my relationship with my client comes first.  My ideas are just my ideas.  Not the be all and end all.  Great designs depend on a solid relationship between me , and my client -and whatever shakes out from there.   Giving in is not necessarily a gesture of defeat.  Giving in can be a recognition of the other party;  a resolution not anticipated.  Giving in can be a way of letting go of issues that have no resolution, for better or for worse.  Giving in is sometimes a striking move; amazingly, things can be better for it.  I have landscapes in which the big idea came from the client that work just fine. My two unmatched pots which will be going on tour-they are charming me.