Sunday Opinion: Tunnel Vision

A client broached the topic.  “I am afraid I have tunnel vision about my landscape, and I don’t even know it”.  She made me laugh. That is a paradox if I ever heard one; I told her.   If the words were coming out, the idea had already taken hold.  It says a lot about a certain kind of good design process that she would even consider the pitfalls of  tunnel vision.  It is worth worrying about-no question.  Ranking right up there with sheets that have been on the bed one too many days,  every gardener needs to think about what it would be, how it could  be better, to make a change or two.  Do new. Prune up, remove, take a new direction-get fresh.  Think about what it would mean not to have something. I have an old, big, and not good looking maple on my driveway. What is left of a crown that has been greatly thinned by scald and maple decline, does not screen any untoward view.  What would it be like to cut that thing down, and put a sculpture on the trunk that has been left really high?  As I view the tree from my Romeo and Juliet balcony, a tall trunk and sculpture might be striking. Pleasing.  Better than what I look at now.

Am I a victim of my own tunnel vision?  The tree was fairly mature the day I moved in 15 years ago, albeit in better condition than it is now.  If its always been there, does that prove it should always be there? Getting fresh can be plenty scary, especially when it involves taking down a tree.  But sometimes a tree is just one of God’s biggest weeds. Just because something is big, doesn’t make it precious. I would never take down a healthy  tree on a whim; I would rather design around it, or showcase it.  It is a case of tunnel vision, though, when you can’t see that some trees are just weeds.

Tunnel vision is as common as a dandelion in a lawn.  Don’t worry if you have them every so often. Start to worry when your one dandelion is starting to colonize.  I have a neighbor who has thrown his Christmas tree in his back yard for the past two years.  Now he has 3 little dead magnolias he put in, and didn’t water; they are still in the ground.  And later, plastic pots on their sides have the skeletons of  dead plants in them.  A decaying rowboat makes another statement.  He somehow got the idea his backyard was a place for refuse; now it has become a refuse dump.   Never mind him; my Princeton Gold maples are screening that mess from my view.  But if you come to some day,  and find you have tunnel vision colonies, get the best professional help you can find.

I am the first to admit that I am my own worst enemy in my yard.  I have a thing about history in a garden.  I have two old Palabin lilacs on standard that I inherited; their heads must be 8 feet in diameter.  I have always barked underneath them-why?  Because that has been their history.  I know there are plenty of times I would give anything for a good designer to shake me.  Even when I do get it, from Buck, or a friend, I still can be stubborn about holding on to what has always been for dear life.  The process of change is not really that charming.

I lived in my house for 6 years doing nothing except watering, and barking the beds I inherited.  It finally occurred to me that no matter how busy I was, if I were going to get a garden made in what lifetime I had left, I had better get moving. The best thing about sponsoring a garden tour to benefit the Greening of Detroit was raising 12,000.00 for them.  The second best thing was hearing people tell me they were inspired to ditch the blinders, and take on a project that had been been staring at them for a good while.  As I like to be encouraged too, this felt good.

In my dreams, I would throw off the constraints of my history, I would entertain new ideas;  I would embrace the unknown. I would research.  I would stop fussing, and look at things from a different angle, or in different light.  I would learn, digest, and make plans.  I would fume, and come up to grade like a firecracker that just got its fuse lit.

Every day I ask my clients to give up the ideas they have had about their landscapes for a new and fresh idea.  Old landscapes may need some chopping, some rearranging.  and some re-orienting, I tell them. There are those places that only a bulldozer can rescue.  Or places that need more lawn, or a thorough cleanup.  I am familiar with their shock.  One very good client whom I told over the phone that she needed to take down two gigantic spruce trees that covered most of the gorgeous facade  of her house, and plant a garden there instead, told me to shut up; then she hung up on me.  Two days later the trees were gone.  My clients put up with plenty from me; I know  first hand that feeling of dread and distaste that comes along with knowing there needs to be some changes made.  But in truth, a little change can be like a new sparkplug for your gardening engine.

At a Glance: The Old Neighborhood

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childhood home   1955-1969

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OK, Here’s the Story

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I spent the day of the Greening garden tour at home, talking to people about my landscape, but I also fielded a lot of questions about Rob’s.  From “which garden is Rob’s?” ,  to “what was his idea here?”-and so on.  Apparently the store was so busy he was unable to get to his own garden, and talk about it with people.  What a shame.  As he is such an integral part of Detroit Garden Works as manager, buyer, and dreamer, people are naturally curious about what his personal landscape is all about. I’ll try to tell the story as best I can, as I think it warrants telling.

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He is a formidably talented designer.  More and more he consults with clients about the placement of ornament, pots and the like. He has a gift-you just need to ask him to put that to your project. Until you lay eyes on what he has done with this very small piece of property, you don’t really understand the extent of that talent.  I have over the years installed this terrace when he would be in Europe, or snapped up that collection of nyssa sylvatica (his favorite tree) when I ran across it.  He spent no small amount of time designing this landscape for himself, consulting with me, and reinventing the design; he finally, reluctantly, signed off. I knew I had to wait until he was out of town;  one fall while he was shopping in Europe, my crew installed it. 

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It’s important for clients to see a designer put themselves in the same boat a designer might ask a client to row.  Making things grow, and pulling a landscape together, can be much like rowing upstream.  If you are to entrust your garden and your money to a designer, you want to feel confident they know what they are doing, and that they have been in a boat much like yours.  This spring, the bones of his place looked great.  Simple strong gestures from a sure hand. No matter how he fretted, the result was confident.  If it appears a design is in place on this the bleakest day of the spring, they you can be assured it will only look better as the season goes on.

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It’s a very tough thing to go home and garden, when you eat, breathe and sleep it for other people, most days of the week.  He told me two things were paramount.  He wanted to make much of his view of the lake, and he wanted something along the lines of cohesive lake cottage style. This may sound vague, but he had no problem putting it together.  And he wanted it manageable; its pure torture to have something in a garden that needs attention, when you have no energy to answer.  He likes having no back yard.

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This very old French faux bois tree trunk planter is home to  a thriving colony of laurentia; that pale heliotrope blue is a rare color in an annual. So light, so delicate-everything that the planter is not. The side terrace garden is a mirror image of the shape of the driveway. The terrace itself is screened from the road just enough, by a wing wall, backed up by giant boxwood in a stocky Belgian wood planter.  

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Two chairs in the front yard are front and center to the lake view.  A quietly beautiful vintage American birdbath from Ohio is kept company in the sunken oval of grass by a gracefully swooping pin oak. This tree, his specific choice.  The simple Italian pots stuffed with ferns, heucheras, selaginella and the like have that strong woodland mossy feel.

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The wing walls are a distinctive feature of the architecture of the house; the placement of these two pots make note of that. The placement of the collection of pots direct the eye around the entire space, and suggest what is yet to come.

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I discovered while installing this landscape that the exterior walls has been buried in soil berms.  The house is actually quite tall coming out of the ground.  The collection of pots counterbalances the height of the steps, and sets them down visually. The architecture of the house and steps can be seen all the way to the ground.  This gives the landscape a European flavor. Years of travelling Europe to buy for the store has much influenced him.

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Rob knows how to place an object in a garden such that it will give you pause-quietly.  Thus this planter, half on the gravel path, half off. Though the volume is turned down to a murmur, this landscape has a very distinctive voice.

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The story of these steps says everything about the fire he has burning. These giant bolted panels of railroad ties have been lying in the abandoned railway two track next door for the past 14 years.  He finally wheeled a ball cart, rated to carry 1800 pounds, over there, loaded these 8 foot wide fragments onto the cart-horizontally-  and ran them up hill all the way to the store-in the incoming traffic lane, no less.  He told me he had no plan for what he would do, had a car appeared.   He tells me he had to lie down for 15 minutes once he got them here; he was rode hard and put away wet, getting the steps of his dreams home.  What kind of heart for gardening do you have to have to do this?  A very big one.

Walkways

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Strictly speaking, walkways are about transportation. The washing machine that needs to get to the laundery room, the guests for a dinner party, hauling soil in a wheelbarrow to a bed in the garden-all kinds of activities rely on the walkway.

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This does not mean that the utilitarian route shouldn’t be scenic.  This generously sized slate walk has some beautiful curves; a curved walk invites lingering and looking.  The walk is plenty wide enough at the drive to swing the car doors open, and drop off multiple guests.

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This is one of my favorite walkways. I managed to persuade my clients to install a wood walk; they were dubious both about its serviceability, and its longevity. However, it used to be that all roads were made out of wood; they fell for this.  4″ by 4″ pressure treated lumber, in 8′ lengths, were routed to look like bricks.  The boards were laid over a 8″ deep gravel base.  After 6 months exposure to the weather, I was able to stain it black.  It has been in place a good many years now.  The new owners of the house re-stain it every few years. The ends of the taxus hedges have fence posts of the same material, capped in rusty steel ball finials.

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Not all walkways need to be a hard surface; grass makes a beautiful walk.  These gravel troughs signal the change from the lawn, to a lawn walk.  The length of the gravel trough gives visitors plenty of time to contemplate the massive door, and what might lie behind it.

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Some walkways belong to a terrace, or a series of terraces. The identical material and pattern gives visual weight and grace to this walk between terraces.   The aged cut limestone tiles, punctuated with limestone dots, is a striking way to get from here to there.

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Some walkways are more about defining a view, than transportation.  I can attest to the fact that having pushed a wheelbarrow along this path countless times, I would much rather look at it, than use it. The simple stepping stones describe a view without intruding on it.

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Some are fortunate to own homes where the old or original materials still exist.  This house built in the 1920′s was graced with with a walk of old granite setts.  As they had heaved about with the frost, and were a little dicey to walk on in the winter, the entire walk was taken up and reset. This was a bit of maintenance that counted for much;  this old walk softens the newness of the new landscape.

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This steel and concrete walk is sharply contemporary.  The softly trimmed hedges of blue arctic willow are a great contrast.  There are so many good ways to get somewhere, are there not?

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In my opinion, the walkway to the pearly gates looks pretty much like this.