More Romance

gravel-driveway.jpgI spent the better part of the day planting containers for a client who engaged me to design and install the landscape for her new lakeside home-last year.  Most of what I saw in ground today is a year old.  I was more than happy by what I saw.  I credit the degree to which her plantings have taken hold to the grading, the drainage work, and plant choices that matched her existing conditions.  I know am posting many too many pictures.  But perhaps the oversized collection of pictures will give you a feeling for the overall landscape.  Many of her John Davis climbing roses are now over my head.  The romance of that was considerable.

front-door.jpgBuck built the ipe benches specifically for this porch.   The concrete pots are our interpretation of an original French faux bois box.

katsura espaliers.jpgThe espaliered Katsuras in this 36′ foot long raised stone planter provide screening from the house next door, in a space barely a foot in depth.  These espaliers are well on their way to making a green wall.

lakeside-landscaping.jpgThe lakeside has a pair of perennial gardens, endowed by patches of little lime hydrangeas, and some birch.

wet-meadow-garden.jpgNear the water, several meadow areas planted with chasmanthium latifolium grass, wild daisies, and amsonia Blue Ice.

wet-meadow.jpgThe meadow garden

dock.jpgLater in the season, the meadow will feature monarda and asters.  Last fall, we planted lots of blue and white camassia-for this spring.  Some of them are still in bloom.

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The more formal perennial gardens feature nepeta, stachys hummelo, and phlox.

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The alliums-we could have planted many more.

nepeta-blooming.jpga view of the garden

lakeside-landscape.jpgIt is easier to see the design of the lakeside landscape from the second floor balcony.  Very formal landscape elements contrast with less structured gardens.

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Even informal gardens benefit from beautifully generated curves.

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The roses and clematis on the pair of pergolas-they are obviously very happy.  I am astonished at how much growth they have put on-in just one year.  This willingness to settle down and grow makes me feel like the selection and siting of plants was correct.  And that the maintenance has been good.

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There is plenty of romance going on here.

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roses and clematis

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pergola garden

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The June garden is represented by large flowered clematis, and John Davis climbing roses.

pergola-garden.jpgVenus dogwoods blooming

annual-planting.jpgcontainer planting at the front door

rosemary-on-the-roof-terrace.jpgrosemary, on the second floor terrace.

side-garden.jpgThis semi shady side garden is simple.  The privacy afforded the second floor terrace is courtesy of 14  6″ caliper Bowhall maples. All of them seem to be taking hold, just fine.  All in all, I am very happy about what I saw here today.  Planting the pots-my pleasure.

 

Garden Designer’s Roundtable: Transitions

stone-stairs.jpgTransitions broadly refer to change.  A change in status, as in child to teenager.  as in working person to retiree.  As in winter into spring.  The moment in the garden which is neither winter nor spring, neither summer nor fall, neither fall nor winter-these are transitory periods.  Change of any kind implies challenge and uncertainty.  As a designer, I am routinely asked to address the change from one level to another.  If you have ever climbed a steep set of stairs, you know how much effort is involved to make the transition from one level to another.

stone-stairs.jpgA beginning college course in calculus is just that-a beginning.  Advancing from one level of proficiency to the next is greatly helped by a friendly transition process.  The effort it takes to move to the next level-considerable.  Steps in the landscape were invented to make that transitory experience as easy and as interesting as possible.  When I am in New York, and zooming up an elevator, I wish for a transition from the first floor to the 28th floor with some grace and style.

bluestone-stairs.jpgSometimes long flights of steps from one level to another  are unavoidable.  I try to make that trip as visually interesting as possible.  This makes the transition from one level to another an experience-not a chore.

transition.jpgThe transition from the public landscape to the private and personal landscape can be brief and substantial-as in a wall.  A hedge.  A gate.

slope.jpgA subtle transition in grade can be dealt with in a number of ways.  Short flights of steps endow a long and gently ramped soil, with a little lively punctuation.

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The walk to the front porch is traveled by good friends, family, and UPS.  The front porch-a formal transitional space that gives friends, family, and delivery people a moment to collect themselves.  A little time to compose themselves.  A little time to shed the cares of the day, and focus on the moment.  I like big wide and ample  porches.

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Any transition from one level to another asks for an inventive solution.  An invitation to move from one place to another-both physically and emotionally. The time it takes to make a change from one place to another-transitions in the landscape need to be big and generous.  Transit implies a movement from one space to another.  That transit space needs as much patience as any other space in the landscape.

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A steep slope  is not so friendly to people.  Some slopes can be addressed with steps.  Some slopes can be addressed with soil graded into tiers, and grassed. Any transition in the landscape needs to be addressed thoughtfully.   Imagine yourself at that transitional moment.  Design with that moment in mind.

I am keen to read what other members of the roundtable have to say about transitions-please join in!

Jocelyn Chilvers : The Art Garden : Denver, CO

Scott Hokunson : Blue Heron Landscapes : Granby, CT

Mary Gallagher Gray : Black Walnut Dispatch : Washington, D.C.

Debbie Roberts : A Garden of Possibilities : Stamford, CT

David Cristiani : The Desert Edge : Albuquerque, NM

Jenny Peterson : J Petersen Garden Design : Austin, TX

 

 

Garden Designers Roundtable: Mistaken

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The topic for the Garden Designers Roundtable-mistakes.  I appreciate the timing of this topic, as blunder season is just about here. I invariably misinterpret nature’s intent with regard to spring.  I am sure that spring has arrived, always weeks in advance of the real thing.  I am anxiously poking around, looking for the crocus and the hellebores.  If I am lucky, that poking will not damage tender shoots just emerging from the ground.    The true meaning of misstep?  Tulip leaves when they first emerge in my zone are the same color as the muddy soil.  Given that I never remember where I have planted them, I am as likely to smash them flat as not.  Every step I make on soil that is soaking wet from the thaw forces the life giving oxygen out of the soil.  Plants thrive in friable soil, and generally dislike compacted soil.  Why am I milling about in the garden when I know better?  The leaves of the hellebores are limp and brown now-and crying for a cleanup.  I am sure the number of emerging flowers I have snipped off thinking they were leaf stalks is appallingly high.  Were I to endure the mess for another week, the difference between leaf stalks and flower stalks would be obvious.  Yet here I am, in error.  Franklin P Jones put it so eloquently:   Experience is that marvelous thing that enables you to recognize a mistake when you make it again.

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Once the perennials begin to emerge, the bare spaces that would be perfect for spring bulbs are painfully obvious.  Spots for snowdrops-how is it that I failed to see them 5 months ago, when I could have planted?  The chionodoxa I did plant at the edge of a path as the spot was easy to get to-could I really have forgotten the edge of this path is part of the Corgi path?  Was that outcome not as obvious last fall as it is right now?  It will be months before my small perennial garden will be anything to look at. I could have tulips and daffodils on the way.  Phlox divaricata-every year I long for it.  Every year I do not plant it. A lost opportunity is one thing, but a lost opportunity that repeats itself year after year-a whopper blooper.

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Later I will find those mistakes that simply represent deficient knowledge.  Plants are very specific about what they want.  When they don’t get what they want, they have that listless and unenthusiastic look about them.  Or they die.  Wanting that catmint to thrive in a slightly too shady spot in slightly too heavy soil-that want washes over me all the time.  What would prosper in that spot, I don’t want.  The idea that the nature will suspend disbelief just for me-what is that?  Off sides is off sides.  I would conservatively estimate that my plant reference library has 50 volumes.  And I have a computer that works.  In spite of that, I persist in putting plants in the wrong place. On rare occasions, I get lucky.  I had to have a clematis growing on my garden bench-the romance of tat idea was irresistible. Though the spot had failure written all over it, I planted anyway.  Turns out, there is enough sun 4 feet off the ground to keep that clematis happy.  I know a certain gardener with a gift for making a mistake seem like a brilliant choice.  From Henry James,  She had an unequalled gift… of squeezing big mistakes into small opportunities.

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Gardeners derive satisfaction from many different things.  Some gardeners choose to grow food.  Others like tropical plants in pots.  Others want to grow plants and sell them.  Others swoon over conifers, or rock garden plants.  Others intend to reforest a city.  A relationship with nature is not necessarily a garden-it could be a wild place untouched by designing hands.  Entertaining outdoors, putting up lights at the holidays, and camping.-these are as much an experience of gardening as the parterres at Vaux Le Vicomte.  Given that the sky is the limit, that the opportunity for self expression is always there,  I think it is a mistake-not to garden.  Gardening is good for people.  Your garden should be just that-yours.  From Oscar Wilde, “Be yourself; everyone else is already taken”.

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The most grievous error I see gardeners make is to give up a dream of having a garden environment  because they could not have it all at once.  The best part about plants is that they grow.  A bareroot tree planted in the spring and looked after will grow.  Yes, the mighty oak from the little acorn grew.  A slew of boxwood cuttings, placed in and grown on in a nursery bed, can one day become the most gorgeous knot garden imaginable.  Hellebores are gorgeous-but notoriously slow growing.  Large plants are pricey, for just that reason.  But little hellebores are readily available, and will grow into specimen sized beauties before you know it.  Now is a very good time to plant one.  From Edmund Burke:  Nobody made a greater mistake than he who did nothing because he could do only a little.

The other members of the Roundtable no doubt will have their own views on mistakes-please read on!

Mary Gallagher Gray : Black Walnut Dispatch : Washington, D.C.

Debbie Roberts : A Garden of Possibilities : Stamford, CT

David Cristani:  The Desert Edge:  New Mexico

 

Sunday Opinion: The Narrative

The posts of the past several weeks have a theme.  The winter season is holding on for all it’s worth.  Don’t believe me?  We have snow in our forecast for the next 2 days.  My last post, entitled “Holed Up” garnered a comment from Tara Dillard.  She is a person I have never met.  She is a landscape designer in Georgia who writes a blog-I read her blog, (taradillard.blogspot.com)  and she reads mine.  I leave comments for her every so often-she posts comments for me too.  This constitutes a relationship of a certain sort.  Though we have never met, I appreciate and am interested in her point of view.  I believe she has an interest in mine.  This is what I would call a narrative-a story.  Not a fancy story, not a dramatic or life changing story-just a simple story about two people who have a passion for the same thing.

She commented on my most recent post:

It’s ridiculous but the bench with the cat on it, and another underneath, melts my heart.

Most gardens never reach this level of narrative.

XO T

A photograph I posted of an English stoneware cat basking in a sunny spot in our greenhouse space prompted her to write.  Gardens and narratives-I have been thinking about this all day, thanks to her. A narrative is a story.  The beginning story of this post is about how a landscape designer in Michigan and a landscape designer in Georgia have an exchange of ideas.  This is a very modern, internet driven story.  I suspect that we are very different, and have very different opinions about a lot of things.  It is possible that we would have never made the effort to continue to talk, had we met in person.  But the internet has enabled us to meet, and exchange ideas.   Having made a commitment to write a blog on landscape and garden design,  I was not expecting back talk.  That said, the back talk is my favorite part of the writing.  Tara’s backtalk is of the most interesting sort.

There is a second story here.  Tara’s comment about gardens and narratives-provocative.  I have her to thank for explaining how interested I am in narrative driven design.  The land tells a story.  The plants tell their stories.  A client tells a story.  I have a story. I do believe that the most beautiful landscape and garden designs are generated by a story.  Should I have a concept that I wish to explain to a client, I create a story.  That story is a bridge between two very different people.  That bridge is a place where designer and client might meet, on occasion.

A garden or landscape that tell a story is a very powerful garden, indeed.  The story may be about a love for plants, or a love for a passel of children, or a love of design, or a love for nature.  The constant?  The story.  If I am able to encourage a relationship with a client that becomes a narrative, I know we will forge a relationship.

Thank you Tara. The landscape design that traces the narrative, creates a narrative, is a good design.  A design worth considering.   Every landscape should work.  Should grow.  Should prosper.  But every landscape of note tells a story.