Archive for the ‘Flowers’ Category

Green And Good Looking

Our temperatures have gone back into the 90’s, topped with a big dollop of high humidity;  I am seeing signs of summer’s end in a lot of container plantings-including my own.  Crispy stems, mildew, and all manner of other trouble one can put under the heading of late summer malaise. Green plantings seem to keep their good looks, even when the late summer doldrums look more and more like the beginning of the end. To follow are some of my favorites this year.

Lime licorice, white polka dot, and a dracaena whose name I do not know-what a fresh look for August 30.

Lemon grass, variously underplanted with basil, parsley, and strawberries. 

King Tut, lime nocotiana, variegated licorice and cream petunias

Australian tree ferns, bromeliads, boxwood, pachysandra

Agave, datura metel

Eugenia topiary, parsley

datura metel, nicotiana mutabilis, gardenia standard, cirrus dusty miller, lime licorice

variegated ivy on standard, boxwood standard

Rosemary on standard, strawberries, fiber optic grass.  It is amazing how beautiful a collection of green plants can be, whatever the weather.

The Silver Maple

A client purchased an empty lot next door to them, with the idea of completely reinventing the landscape such that two properties would read as one. Though it did not have the best looking shape in the world, there was an existing silver maple they were reluctant to take down. I understand this feeling completely; I do not like to take down trees either. I work with existing plants all the time; we would work with this one. 

Every other plant on both lots was dug and moved.  The maple was out there on its own. I did not want to design a landscape around this tree; it was in less than ideal condition.  There were views across the new lot that would be important from the rear porch; I could tell right away that the landscape design would be impacted by this tree.   I designed the schematic landscape as if it were not there, knowing that when the time came, I would be working around that tree. 

The landscape eventually called for four large perennial beds that would terminate in a radius of arborvitae.    A pergola 27 feet long set midway and perpendicular to those beds visually anchors the space.  The silver maple is just barely visible on the left; the trunk is half in, and half out of the bed.  I rather like a very formal design that is punctuated by some unexpected  element.  The element of surprise can be a very effective way to focus attention on the overall geometry of the space. 

There was but a very short time that this view would be visible.  Once the plants were installed, it would look like that tree had sprouted and grown out of an existing garden. The fact that the trunk tips slightly away from the garden lends a little visual weight to that argument.  Much more difficult than than getting this tree to work with these four quadrant gardens would be getting the perennials to work with that tree. The maple casts a good deal of shade-the shade was by no means even.  I wanted a tall and substantial garden with plant material that repeated the same mix in each quadrant.  My client wanted perennials with white, lavender and purple flowers.

The view out to the gardens is a long one. What was an empty lot is not so empty anymore. I believe that even if the maple had fallen within the grass path out to the pergola, the design would still have worked. Three multi-trunked birch that had once been in the back yard were successfully transplanted to the side lot. 

I chose plants with a reputation for tolerating varying conditions.  Hellebores I knew would do fine even in the sunnier areas. Bridal Veil Astilbe, and Astilbe Tacquettii Superba do well here.  Gold drop hosta, Jack Frost brunnera, White Innocence and Concord grape tradescantia and alchemilla mollis were planted along the border with sufficient space in between to allow for some low annual planting. The dominant plant is snakeroot-cimicifuga racemosa.  Its white bottle-brush flowers on long graceful racemes give a garden the height I was after.  Monarda fistulosa Claire Grace gives a  great show of lavender flowers at about the same time.   

The pergola was planted with sweet autumn clematis, clematis Jackmani Superba, and clematis viticella violacea. It has been a challenge to keep the rabbits away from them, but they finally seem like they are taking hold. 

I plant an occasional nicotiana alata white, here and there.  White Japanese anemone and aconitums are the star of the show in very late summer. They are just budding up now.

It has been three years since this garden was planted; it seems to be doing well.  Of course there will come a time when some division or replacing will be necessary.  The clematis are a little behind schedule-the day when they are dripping from the roof of the pergola will be a good day. 


The silver maple in question has company now.

Late Summer

The view out onto my terrace right now is lush and loud.  really loud. I like to plant this group of containers with a different color scheme every year.  This year’s  pink and red spectrum runs the gamut from light to dark, from moody to electric. But the overall effect is definitely on the rowdy side.  Sometimes you just have to get certain things out of your system by giving them a try.  Having never planted anything red at home before, I scratched the itch.  The Mital Italian terra cotta rectangles are on a north wall , so they demand a planting that is shade tolerant.  The red caladiums provide a lot of a rich red/green mix in the leaves- which I like. The tropical ferns and the vinca maculatum are essential to the look.  The red solenia begonias are brilliantly red.  Since red and green are opposite one another on the color wheel, the combination makes for a lot of visual action.  Had I the chance to do it over again, I would plant lime irisine in the back; that very tall lime green with carmine veins would make the caladium red read more dramatically.  The big empty wall behind those pots-wouldn’t you think I could sort that out?

There is nothing particularly fancy in this pot-red mandevillea, cherry sun zinnias, cherry million bells and giant pink petunias.  What is of interest is the vigor with which this planting has grown.  These plants like being neighbors, and they like this pot size and location.  Everything observed in the garden will come in handy the next time around.  Where’s my journal?

My pink begonias have suffered some from sun burn.  This has never been the case with the apricot or orange solenias.  It made me study the sun on this wall more carefully.  It turns out there is a lot more light here than what I thought; what I assumed was an eastern exposure is actually south easterly.  How I could have planted these pots 14 times for part sun and done ok is a testament to every plant’s will to live; they suffer me kindly. The red irisine has tried its best to grow luxuriantly, but the top leaves bleached from the sun during our long run of hot sunny weather.  I am hoping for a better fall. 

You can spot the sunburn on the pink solenia begonia in this picture. That orange solenia shrugs off the hot sun is called varietal variation.  This series of begonias is the easiest of all to grow, in my opinion. The pink apparently needs more protection from direct sun. I am sure there will be no pink begonias here in 2011; I am a quick learner.  I don’t mind trying to grow things that are tough to cultivate, but I have to balance that interest aginst how much time I actually have to put to any aspect of my garden.    


Though the botanical name is not part of my vocabulary, I do like polka dot plants. Available in white, pink, and rose, they remind me of a choir.  A big and coherent voice generated from a cast of thousands. They thrive on pinching; they thicken up, and represent.  This moody pink and green foliage plant compliments this rose pink and green caladium better than I could have hoped for.    

Last year this English concrete square of classical Italian design was home to a homeless ancient agave.  That agave went to a client this spring; I was on my own with a planting scheme.  Though I planted a white mandevillea, white angelonia, lime nicotiana alata, gobs of silverberry mini petunias and variegated plectranthus, I worried that the planting would never grow up into and spill over this massive pot.  It may be mid August, but I like what I am looking at now.   

I have never had pots on the limestone pillars integral to my front door.  My idea to move these antique English terra cotta log pots to the front, from the rear deck-capricious.  I so love the look of these pots here-but keeping water on them given a merciless exposure to western sun has been a challenge.  This variegated abutilon is great looking-I plan to have plenty of them for spring.  The verbena and lime licorice tolerate a hot spot.  How these small pots dry out has been a lot of trouble-worthwhile trouble.

I am so happy with my English concrete pots fabricated in the classical color and style reminiscent of Italy. This is my third season with them-and I think my most successful planting.  Taxus topiaries-I had never seen them before a visit to Mori Nurseries last year.  These double ball yew topiaries rule the garden just outside my front door.  They seem quite happy in these enormous pots-the soil moisture is steady.  The generous skirt of mixed petunias, cerise pink verbena and white bacopa-a perfect foil to that seriously dark green form.  I am delighted.      


My late summer garden views-I like them.

Photographing The Garden

A camera is one tool a gardener should not be without.  You will not remember what your garden looked like on June 2, when it is the following March and you are trying to put a plan together for the new season.  No matter how simple the device, a camera provides a valuable record of that which is by definition ephemeral.  No landscape has a pause button.  It is always changing. Some things I do differently every year. I want to remember what was. I am not a photographer; I take snapshots of projects under construction.  I try to photograph all the annual plantings-although this year I am way behind getting that done.    

I do believe that gardens are never wonderful every day, day after day, but they do have their moments.  Ursula Buchan’s book “The English Garden” is chock full of the most amazing photographs of gardens at their perfect moment.  I don’t always know when one might present itself, so I drag my camera everywhere.  The camera is a monocular machine, and records nothing of my emotional investment in my garden.  There are times when it can see better than I. It helps me to see what I may be missing, or figure out what I do or so not like.  If you are like me, it takes a while to sort out what you would want to do again, and what you might not want to repeat.      

These two irisine topiaries are very different shades of green.  One gets a little more sun than the other.  How plants grow is very much dependent on their siting.  Growing perfectly matched pairs of plants even under conditions you would think were identical is difficult. If you go back to my previous picture, you will see what I mean.  Uniformity of growth is an important issue to hybridizers for exactly this reason. These are the kinds of things that occur to me when I look at my pictures.  

Color in a garden is delightful.  Light colors read well and stand out against the dark greens that dominate the landscape.  Pale yellow, lavender and white is a subtly elegant combination, and is repeated in these containers in different ways.  It is hard to do any photographing on a sunny day.  If you are an accomplished photographer, you will know what to do to get your camera lens to squint-this is a skill I do not have  An overcast day will permit pictures in which the color is saturated, as the light is even all over.   

Window boxes that are up high benefit from a simple planting, as you see a mass from a distance, not individual plants.  Vinca maculatum makes a great trailer.  They grow very long; their chartreuse variegated leaves are large and interesting. When I look through the lens of my camera, I see things in a different way.  As a picture has four edges, it can help force me to compose.  There is something interesting going on at every level on or against this very tall wall. I have a picture of that. 

This wirework urn was planted with a single 10 inch basket of mini-petunias.  The plant is obviously happy with this location, and the amount of water is it getting.  I am also certain they are getting a regular feeding.  The vinca will reach the ground in another few weeks. I would plant petunias here again.

This iron cistern placed in a corner reds on its own, as it is isolated from the main terrace.  I have planted darker versions of the yellow and lavender.  On a whim, I added some orange bullseye geraniums.  Not everything needs to match.  The dark foliaged cannas look great with the stone and the trim on the house-this was not at all in my mind when I planted.  I have my camera to thank for bringing this to my attention. 

The planting in this Italian olive jar is pleasing in its overall shape, and growing robustly.  Set in a very shady pot, who knew the moss growing on the side of the pot would play such a big roll in the planting.   

Dahlias have dramatic flowers, but they come with with a lot of green leaves.  This picture suggests to me that maybe dahlias are better planted low, where the tops of the plants are the main view.  Or perhaps they need a plant will grow up in front of all that green without jeapordizing the health of the dahlia.  The flowers look like they are floating.  I have time before next season to figure out what would work better.  All of my snapshots will be a big help.